Alice & Bob

A History of The World’s Most Famous Cryptographic Couple

Image of Bob
Image of Alice
Image of Alice
Image of Bob

Alice and Bob are the world’s most famous cryptographic couple. Since their invention in 1978, they have at once been called “inseparable,” and have been the subject of numerous divorces, travels, and torments. In the ensuing years, other characters have joined their cryptographic family. There’s Eve, the passive and submissive eavesdropper, Mallory the malicious attacker, and Trent, trusted by all, just to name a few.

While Alice, Bob, and their extended family were originally used to explain how public key cryptography works, they have since become widely used across other science and engineering domains. Their influence continues to grow outside of academia as well: Alice and Bob are now a part of geek lore, and subject to narratives and visual depictions that combine pedagogy with in-jokes, often reflecting of the sexist and heteronormative environments in which they were born and continue to be used. More than just the world’s most famous cryptographic couple, Alice and Bob have become an archetype of digital exchange, and a lens through which to view broader digital culture.

This website details the major events in the “lives” of Alice and Bob, from their birth in 1978 onwards. It is also the public, multimedia component for a related academic research project by Quinn DuPont and Alana Cattapan.

Synopsis

Alice and Bob are fictional characters originally invented to make research in cryptology easier to understand. In a now-famous paper (“A method for obtaining digital signatures and public-key cryptosystems”), authors Ron Rivest, Adi Shamir, and Leonard Adleman described exchanges between a sender and receiver of information as follows: “For our scenarios we suppose that A and B (also known as Alice and Bob) are two users of a public-key cryptosystem.” In that instant, Alice and Bob were born.

Within a few years, references to Alice and Bob—often in the opening sentence to an academic article—were de rigeur for academic cryptology research. And as cryptology became a standard part of computer science and engineering curricula, faculty began to portray Alice and Bob in a classroom setting using clip art and other images that personified Alice and Bob (usually in white, heteronormative, and gendered ways), which also made these abstract characters visible to the world. By the 1990s, mentions of Alice and Bob could be found in a wide range of fields—from game theory, to quantum cryptography, to physics, to economics, and beyond. As other characters were added, they too were given typical definitions, personalities, and life stories.

The ubiquity of Alice and Bob in the university led to winking references in digital and popular culture, including jokes, t-shirts, music, and comics. Noting their importance, in cryptology research if not digital culture, the security company that created Alice and Bob, RSA Security, chose them as their theme for their 2011 annual security conference.

The following timeline traces the major events in the “lives” of Alice and Bob, focusing on the historical context in which they have come to be central to the research, industry, and culture of cryptology. This timeline aims to create an accurate record of the history of Alice and Bob, as well as to identify the cultural and gendered contexts in which they emerged.

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On Gender

In the history of cryptology, women tend to be either systematically excluded or reduced to objects. The absence of women is both a reflection of the bias of society and historians, and a gap in the employment of women in computing fields. In the early history of computing, in fact, women were key to the development of computing, and especially cryptology (see Woodfield, 2001; Misa (ed.), 2010; Hicks, 2017). But, once computing gained status and importance, women were increasingly pushed out of the computer and cybersecurity industry. Worrisomely, in the field of cybersecurity, this trend to marginalize and exclude women has increased in recent years. Those women that have managed to elbow in on the male-dominated industry are important to highlight and celebrate. Uncovering the gendered context of Alice and Bob is one chapter in the larger, untold story of women in cryptology.

Women have a long history of being depicted as technical objects in computing (see also Brahnam, Karanikas, and Weaver, 2011). Consider, for example, Ivan Sutherland, the so-called “father of computer graphics.” In his 1963 MIT PhD dissertation, he depicted a “winking girl” using the revolutionary Sketchpad software he developed. Image of Sutherland's Winking Girl Lawrence Roberts, an essential figure in the creation of the ARPANET, used an image of an unnamed woman from Playboy magazine for his academic article on image processing. A decade later, Alexander Sawchuk and his team at the University of Southern California used another image from Playboy magazine to demonstrate image processing. This latter image, of Lena Sjööblom posed among toys and engaging in a game of dress-up, has since become the standard test image for image compression and processing software. And finally, the first “Photoshopped” image was of a topless woman on a beach: Jennifer, the software developer John Knoll’s then-girlfriend.

In the case of Alice and Bob, the presumption that Alice is a woman and Bob is a man aids in their use, since (in English), gendered pronouns enable easy reference (“he said, she said”). At the same time, gendered assumptions about the characters of Alice and Bob have been read into their fictional lives. Images of Alice, Bob, and Eve depict the three as in love triangles, with Alice and Eve alternately portrayed as disrupting one another’s blissful domestic life with Bob. Visual depictions of Alice, Bob, Eve, and others used in university classrooms and elsewhere have replicated and reified the gendered assumptions read onto Alice and Bob and their cryptographic family, making it clear that Bob is the subject of communications with others, who serve as objects, and are often secondary players to his experience of information exchange. Thus, while Rivest, Shamir, and Adleman used the names “Alice” and “Bob” for a sender and receiver as a writing tool, others have adapted Alice and Bob, in predictable, culturally-specific ways that have important consequences for subsequent, gendered experiences of cryptology.

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Contact

Research by Quinn DuPont and Alana Cattapan. DuPont developed the website, and received institutional and financial support through a Rutgers Digital Studies Fellowship and UVic Electonic Textual Cultures Lab Open Knowledge Practicum. Corrections, suggestions, and responses warmly welcomed:

Quinn DuPont
Twitter icon @quinndupont
Email icon iqdupont.com
Alana Cattapan
Twitter icon @arcattapan
Email icon arcattapan.ca
Image of Alice
Image of Bob
Image of Bob
Image of Alice